GuQin on Limbaugh Says Obama’s Af… Will Stephens on Friday Night Concert Series: B… rRatza Fraz. on Kent State University, May 4,… “Manifest Destiny”… on American Exceptionalism: Manif… Roy B Fan on ROY BUCHANAN – THE MESSI…
- Meghan McCain to Laura Ingraham: "Kiss My Fat Ass!"
- GOP Pundits Livid on DHS Right-Wing Extremist Alert
- GOP Exodus?
- Child's Love of "Alice in Wonderland" Nearly Kills Him
- Corporal "Bert" "Ships Out" Again
- Two Little Pigs:Pat Robertson and Rush Limbaugh-Hatred and Haiti
- NYC "Drunken Negro Face Cookies"
- Health Care: Kucinich Still Brings It
- Baucus Predictably Disappoints
- GOP Health Care Plan: "Don't Get Sick"
Category Archives: Friday Night Concert Clip
Former child prodigy Joe Bonomassa cut his teeth on blues/rock, playing Stevie Ray Vaughn licks by age 7. B.B. King heard him early and was bowled over. By the time he was 12, Bonomassa was opening B.B. King shows, subsequently touring with Buddy Guy, Foreigner, Robert Cray, Stephen Stills, Joe Cocker, Gregg Allman and in 2009 played a stunner of a show at London’s Royal Albert Hall with special guest Eric Clapton. Continue reading
I love rock music. Raised on symphonic, classical and big band, my musical rebellion was fueled by rock. Like most of my generation, upon reaching my teens, I eschewed “serious” music for the sorcery of simpler composition; loud, amplified guitars, … Continue reading
It’s no secret that commercial producers like to use catchy tunes/jingles in TV spots and a recent car commercial features a song by an assemblage of Brit musicians and creatives called The Real Tuesday Weld. Continue reading
One of my favorite chicken-scratch/fusion funk/”southern-fried” (but not “southern”) confections of the late ’60s/early ’70s was Rhinoceros — a concocted “supergroup” conceived and assembled by management at Elektra Records — a label that among other distinctions, recorded at Jimi Hendrix‘s … Continue reading
Years ago, before “Smooth Jazz” became associated with elevator music/muzak/white noise, fusion forged forces of rock and myriad music forms, creating forks in the road where passion and ideas at times transcended technique. Excitement ensued. R&B/jazz artists like George Duke … Continue reading
Listening to XM/Sirius “Alternative Nation” this afternoon, I heard “Uprising,” by Muse. Now, this isn’t what I typically listen to but its deep, infections pop hooks, solid, driving tempo, 80’s retro groove and Blondie lift found me shouting the chorus … Continue reading
To the uninitiated, Peter Gabriel could be somewhat intimidating, apparently dropped from another planet. His stage presence was carefully crafted and painstakingly performed. Critics claimed that it distracted from the music, which most agreed was top-notch. Continue reading
Ever since I first heard Tower of Power, I was drawn to them. Their red-hot chops, superb vocals and up-tempo crossover jazz-funk makes toes tap and asses wiggle, even among those not prone to do either. Through decades, they’ve weathered … Continue reading
Martin Sexton is truly an independent artist. Having become disgruntled with his original contracts, he started his own label. Rich by no means, Sexton works when he wants to and makes enough to keep going. His is a true passion for what he does and it shows. Continue reading
In the late 70s, Teddy left the “Notes” to embark on a successful solo career, in which he morphed into a steamy, sex-charged love balladeer with wide appeal, including women of all ages. In 1981, he had a car crash that left him paralyzed. Many thought that he’d never perform again but a force of nature, Pendergrass proved them wrong, performing through the 90’s. Continue reading